Come join us for an informal happy hour or conversation and networking.
When: August 20, 2009
When: 7:30 pm
Where: Koko's Cocktails (on Geary at Van Ness)
Hope to see you there.
Originally recognized for her stacked sculptures of wafer thin porcelain, in the last several years Susan York has been working with graphite to luminous effect in large wall drawings and distinct works. Influenced by the Constructivist and De Stijl movements, she uses repetition, accumulation and the manifestation of visceral tension as the basis for her work. In describing York’s porcelain work in Art in America, Sarah S. King wrote that her “striking body of work and systematic methods . . . adroitly provoke tensions between space and form.”
A celebration of women filmmakers from North Africa and the Middle East, as well as the diaspora in Europe, this series represents a remarkable geographic, cultural, and stylistic range. In documentaries, features, and experimental works, the directors depict urban attitudes and rural traditions, the dream of escape and the isolation of exile, and the comforts and entrapments of family. But as James Neil, co-curator of the British series that inspired this one, has said, a common theme runs through the films: “They are about women who struggle and strive against their surroundings, and they’re directed by women who have had those experiences themselves.”
Chantal Akerman crosses between the worlds of art and cinema, making video installations for galleries as well as films for theatrical release. Jeanne Dielman, 23 Quai de Commerce, 1080 Bruxelles, her breakthrough work, observes a woman's domestic routines, slowly, patiently, and ultimately disturbingly. It exemplifies Akerman's ability to create intense psychological studies of everyday life. She is also highly attuned to the human experience of time, memory, and journeying, whether in relation to migration and political borders (News from Home, Histoiresd’Amérique) or coming of age (Saute ma ville; Je, tu, il, elle).
Last year New York City women playwrights convened a meeting to discuss women's parity in playwrighting.Thirty years ago, only 7% of plays on national non-profit stages were written by women. Currently that number is around 17%. A rise of around 3.3% a decade. At that rate, if it continues, we will reach parity in just under another hundred years.
Women/Arts to Action (WATA) is a networking group for women artists living in the Bay Area. Artists meet monthly to discuss topics and issues relevant to creating arts in the Bay Area. WATA members also support each other's work by attending productions, screenings, shows, etc. The WATA blog is an online extension of the work WATA does and is a place to find Bay Area listings of art events, discussions, etc. and interesting articles, commentary, and reviews on issues affecting the arts.